Born on January 6, 1966 as A. S. Dileep Kumar in Chennai, Tamil Nadu, India, is a composer, record producer and musician. is the second of four children born to R. K. Shekhar and Kareema Begum (Kasthuri). He has three sisters, Rehana (Kanchana), Fatima Talat (Bala) and Israth. He is married to Saira and has three children – Khatija, Rahima and Amin. Rahman is an alumni of the PSBB Lake Area School, Nungambakkam, Chennai.
His nephew G. V. Prakash Kumar is a composer in the Tamil film industry.Son of Rehana (Kanchana). is the second of four children born to R. K. Shekhar and Kareema Begum (Kasthuri). He has three sisters, Rehana (Kanchana), Fatima Talat (Bala) and Israth. He is married to Saira and has three children – Khatija, Rahima and Amin. Rahman is an alumni of the PSBB Lake Area School, Nungambakkam, Chennai.
His nephew G. V. Prakash Kumar is a composer in the Tamil film industry.Son of Rehana (Kanchana). His father died when Rahman was nine years old, and his family rented out musical equipment as a source of income. Rahman converted to Islam after a personal family incident and was a student at PSBB for a short while before changing schools.
During these early years, Rahman served as a keyboard player and an arranger in bands such as “Roots” and “Nemesis Avenue” with friends including Sivamani, embracing numerous music genres. He played the keyboard and piano, in addition to, among others, the synthesizer, the harmonium and the guitar. His curiosity in the synthesizer in particular increased because, he says, it was the “ideal combination of music and technology.” began early training in music under Master Dhanraj. At the age of 11, he joined, as a keyboardist, the troupe of Ilaiyaraaja, of many composers to whom musical instruments belonging to Rahman’s father were rented to. Rahman later played in the orchestra of M. S. Viswanathan and Ramesh Naidu, accompanied Zakir Hussain, Kunnakudi Vaidyanathan and L. Shankar on world tours and obtained a scholarship to Trinity College of Music in London, where he graduated with a degree in Western classical music. Once in an interview with Vijay TV’s Coffee with Anu, Rahman described P. Susheela as his most favourite singer ever, whom he worked with in the Tamil film Pudhiya Mugam. Rahman trained in Indian classical music from a young age.
In a career spanning over a decade, Rahman, by 2003, had sold more than one hundred million records of his film scores and soundtracks world-wide, and sold over 200 million cassettes making him, along with fellow Asian Freddie Mercury, one of the world’s top 10 all-time top selling recording artists.
During these early years, Rahman served as a keyboardist and an arranger in bands such as “Roots” with friends, embracing numerous music genres. He played the keyboard and piano, in addition to, among others, the synthesizer, the harmonium and the guitar. His curiosity in the synthesizer in particular increased because, he says, it was the “ideal combination of music and technology.” He began training in Carnatic music. At the age of 11, he joined, as a keyboardist, the troupe of Indian composer Ilaiyaraaja, one of many composers to whom musical instruments belonging to Rahman’s father were rented to. Rahman later played in the orchestra of M. S. Viswanathan and Ramesh Naidu, accompanied Zakir Hussain and Kunnakudi Vaidyanathan on world tours and obtained scholarship to Trinity College at Oxford University, where he graduated with a degree in Western classical music.
In 1991, Rahman began his own music recording and mixing studio, attached to backyard of his house, called the Panchathan Record Inn. He initially composed music jingles for advertisements, Indian Television channels and music scores in documentaries, among other projects. In 1992, he was approached by film director Mani Ratnam to compose the score and soundtrack for Ratnam’s Tamil film Roja. The debut led Rahman to receive the Rajat Kamal award for Best Music Director at the National Film Awards, the first time ever by a first-time film composer. Rahman has since then gone on to win the award three more times (for his scores for Minsaara Kanavu (Electric Dreams, Tamil) in 1997, Lagaan (Tax, Hindi) in 2002, Kannathil Muthamittal (If Kissed on the Cheek, Tamil) in 2003), the most ever by any composer.
Rahman’s work is also unique in the fact that his collaborations with some film directors have always resulted in successful soundtracks. In particular, he has worked with Mani Ratnam on ten films until 2006, all of which have been musical hits. Also notable is his collaboration with the director S. Shankar in the films Gentleman, Kadhalan, Indian, Jeans, Mudhalvan, Nayak, Boys and Sivaji.
His first movie album Roja was listed in TIME’s “Top 10 Movie Soundtracks of All Time” in 2005. Rahman continued to record frequently in his studio, the Panchathan Record Inn. In 2005, a newly developed recording studio, attached to the Inn called A.M. Studios was opened. It is considered to be the most developed, equipped and high tech studio of Asia. In 2006, Rahman launched his own music label, KM Musiq. It’s first release was his soundtrack to the film Sillunu Oru Kaadhal which it released worldwide, in August 2006. His latest work includes Saathiya,Rang De Basanti, Sillunu Oru Kaadhal, Guru, Varalaru – The History of the Godfather, Sivaji: The Boss, Azhagiya Tamil Magan,Jodhaa Akbar,Jaane Tu Ya Jaane Na and ADA: A Way of Life . Rahman has scored the movie Provoked, co-scored Elizabeth: The Golden Age, and is working on Chamki Chameli to be released in 2008 and Hindi version of Tamil blockbuster Ghajini. He is a recipient of the Padma Shri.
Other works
Rahman has been involved in several projects aside from film. He made an album Vande Mataram (1997) on India’s 50th anniversary of independence to immense success. He followed it up with an album called Jana gana mana, a conglomeration of performances by many leading exponents/artists of Indian classical music. In addition to writing jingles for ads, he has composed several orchestrations for athletic events and T.V. and internet media publications, documentaries and short films.
In 1999, Rahman, along with choreographers Shobhana and Prabhu Deva Sundaram and a dancing troupe from the Tamil film industry performed with Michael Jackson in Munich, Germany, for his “Michael Jackson and Friends Concert.” In 2002, he composed his maiden stage production Bombay Dreams (2002) following a commission from famous musical theatre composer Andrew Lloyd Webber. Furthermore, Rahman, along with the Finnish folk music band Värttinä, composed the music for The Lord of the Ringstheatre production. He composed the piece “Raga’s Dance” for Vanessa-Mae’s album Choreography (2004).
In the last six years, he has performed in three successful world tours of his concerts to audiences in Singapore, Australia, Malaysia, Dubai, UK, Canada, the US (Hollywood Bowl and 3d tour) and India. A two-disc soundtrack, Introducing A. R. Rahman, (2006) featuring 25 pieces he composed from his Tamil filmscores was released in May 2006.
Music style
Rahman’s interest in the works of Classical and Romantic period composers, Carnatic composers, early film composers and predecessors K. V. Mahadevan and Vishwanathan-Ramamoorthy of the film industry of Tamil Nadu and others continued through his late teens. He further explored and trained in Carnatic music, Western classical, Hindustani music and the Qawwali style of Nusrat Fateh Ali Khan, in addition to numerous other styles. His interest and outlook in music is said to stem from his love of experimentation. As a result, his scores have alternated from songs and themes composed covering a variety of genres, with unconventionally-grouped instruments, and different vocal styles being used and combined together in some of his film soundtracks, to more traditional orchestral themes with leitmotif techniques composed in others. Rahman’s works often feature a mix of minimalist songs and evocative, thematic pieces, building on his differing chord progressions and rhythms. He has written scores and songs with new and varied melodic and percussive sounds from instruments of different music systems.
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